![]() The tale involves Goliath and company meeting up with Coldstone in the Himalayas. Thailog is told of a lost tale from the Avalon World Tour by his new executive assistant. Pencil Artist: Gordon Purcell Color artist: Dustin Evans Meanwhile, Xanatos meets with a mysterious man in Washington D.C. The confrontation between Thailog, Goliath, and the clones turns violent, and Delilah must choose a side. ![]() Pencil artist: Karine Charlebois Color artist: Stephanie Lostimolo Thailog returns from his supposed death to claim his "property", and Xanatos is absent from his own party, visiting the White House. The gargoyles mingle with humans in the Eyrie building under cover of a costume party. ![]() Pencil artist: Nir Paniry Color artist: Dustin Evans And the shadowy Illuminati are making plans of their own concerning the gargoyles. Xanatos arranges a Halloween costume party on top of the Eyrie Building, and the gargoyles plan to attend, pretending to be wearing gargoyle "costumes." However, Elisa and Goliath's relationship has taken a sudden turn. Pencil artist: David Hedgecock Color artist: Dustin Evans When Goliath later visits Elisa to discuss their troubles, the two find themselves on the run from a squad of Quarrymen.Ĭover artist: Greg Guler Cover color artist: Stephanie LostimoloĮlisa and a wounded Goliath are pursued through Manhattan by the murderous Quarrymen, while a debate about gargoyles between ADA Margot Yale and "Lennox MacDuff" continues on the local news. Meanwhile the police set up a task force led by Matt Bluestone to deal with the issue. Pencil artist: David Hedgecock Color artist: Will TerrellĬover Artist: Greg Guler Cover color artist: Stephanie LostimoloĪs the public learns of the existence of gargoyles in NYC, the Manhattan Clan goes into hiding atop the Eyrie Building while an anti-gargoyle group known as the Quarrymen are formed by John Castaway. Note that Gargoyles issues #9–12 and Bad Guys issues #5–6 were only published in the collections. Each of these would have also appeared as a six-issue black-and-white limited series. Had the comics continued, Gargoyles: Pendragon would have been next in line, followed by Gargoyles: Timedancer. The series is written by Weisman and drawn by Karine Charlebois, with cover art by Greg Guler and Stephanie Lostimolo. The first issue was released on November 28, 2007. One of Greg Weisman's planned Gargoyles spin-offs, Bad Guys, debuted as a black-and-white six-issue limited series. Weisman also stated that SLG President Dan Vado has not given up on the Gargoyles franchise, and hopes to pursue the idea of Gargoyles graphic novels in the future. The final two issues of Bad Guys and four of Gargoyles were released in the comic trades collecting both series in August 2009. In August 2008, Greg Weisman announced that, due to Disney increasing its licensing fees, Slave Labor Graphics would not be renewing its license of Gargoyles after it ran out on August 31, 2008. Gargoyles #6 used the unpublished script that Weisman wrote for the Marvel series. Story art is primarily being produced by David Hedgecock and colored by Dustin Evans, although issues #4, #5, and #6 were drawn by guest artists. Greg Guler, character designer for the original TV series, and Stephanie Lostimolo have produced the cover art for each issue. Slave Labor has acknowledged this error, and the corrected issue was reprinted on November 14. Issue #6 contains an error: the artwork on page 12 and 16 was switched, even though the text is correct. After an extended delay, Gargoyles #2 was released on December 13, 2006. Gargoyles #1 was released on Jand promptly sold out, ensuring a second printing. In June 2005, it was announced that a series of Disney-licensed, bi-monthly Gargoyles comic books would be created by Slave Labor Graphics in association with CreatureComics. Issue #10 was the first issue set in 1997. Weisman has confirmed that the comic starts in 1996, just after the conclusion of the final episode of the series' second season. The first two issues of the comic translate the only third season ( The Goliath Chronicles) episode Weisman considers to be canon, "The Journey" (which he wrote), with issue #3 beginning the new storyline. The continuation of the animated series, which picks up after the climactic three-part series finale, "Hunter's Moon", at the end of the second season.
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